Archive for the ‘Studio Visits’ Category

Pok Chi Lau: Flow China

Wednesday, May 7th, 2008

Pok Chi Lau is a photographer and teacher from Lawrence, KS who has made Chinese migration and the emergence of China a focal point of his work over the past 40 years. Pok Chi was my photography teacher in college and had an enormous influence on me and my work in terms of how I approached image making as well as how I looked at different cultures through the lens of a camera. He still remains a strong influence of mine as well as a friend and so I was very excited to learn that he has a new book of his work out called Flow China!

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Studio Visit: Studio 804

Monday, March 10th, 2008

Studio 804 is a design/build program at the University of Kansas School of Architecture and Urban Planning. It provides hands-on designing and building opportunities for KU architecture students in their final semester of their degree. Focused on service leaning projects, Studio 804 has built a number of low-income housing in the blighted neighborhoods of Lawrence and Kansas City. Their efforts not only provide a service, but also help to elevate the awareness of architecture and urban planning in those communities.

Studio 804 prefab house
Photo courtesy of Studio 804

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Studio Visit: Justin Marable

Wednesday, February 13th, 2008

Justin Marable is a printmaker who works out of his studio which is located in a historic and charming neighborhood in Topeka, KS. His works are primarily silk screens that explore the element of rural decay occurring in the heartlands of America. However, this isn’t to imply that the works are unattractive in any way. In fact, the colors and compositions of his works are rich and beautiful and most everyone who is from the area connects to the imagery and colors of the Midwest. He has huge body of work and is clearly passionate about what he does.

From his artist’s statement:

The history of a place, as well as its land and inhabitants, are all vitally important in defining a community’s environmental and social conditions. In my prints I romanticize this idea with the use of rural landscape and landmarks. These rural devices serve to emphasize the ever-growing abandonment of small towns and farmland of the Midwest. With the medium of serigraphy, or screen printing, I can express the man-made qualities of rural architecture with a photographic stencil technique.

Justin is also a super nice guy and was recently kind enough to invite me over to take a look at his studio and talk about his work and his process.

Print 1
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Studio Visit #2: KPR Studios

Wednesday, January 23rd, 2008

KPR sign

This studio visit features the live music studio at Kansas Public Radio on the University of Kansas campus. This state of the art recording studio was built into the new KPR building when it was constructed in 2002-03. From the website:

Various acoustical elements were designed into the room to ensure a good sound such as adjustable curtains, floating floor, non parallel wall and ceilings, and insulation to isolate the studio from outside and interior noise. KPR hosts musical artists from around the world for special live performance recording sessions which are mastered by our own professional sound engineers.

Every recording I’ve heard come out of this studio sounds wonderful and it can accommodate a variety of groups from a solo piano to a large jazz group or a choir. I was able to stop in for a visit while the chamber group Allégresse was putting the finishing touches on their debut album which is coming out later this year.

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Studio Visit #1: Joe Malin

Thursday, December 20th, 2007

Airplane against the sky
On Thanksgiving Day, 2007, I took a tour of Joe Malin’s garage-turned-studio for the inaugural DESIGNOJEK studio tour. Joe lives and works in Plainville, Kansas, a small town about 80 miles from the geographic center of the United States. He was born in a farmhouse his father built right on the outskirts of Plainville and has called Kansas his home all of his life. After retiring from a career on farms and oil fields, he put his welding skills to work again and started creating sculptures made from scrap metal, bolts, nuts and various other items lying around his shop. Although not formally trained as an artist, he creates wonderful pieces of folk art that have immense character, meticulous attention to detail, and fascinating historical significance. Also a modest man, he chuckled when I called his work space a “studio” and would likely correct me if I called him a “sculptor”, but his love for what he does and the care he puts into his wonderful pieces makes him as much of an artist as anyone.
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